Review: Comes a Bright Day

British romantic thriller Comes a Bright Day stars Submarine’s Craig Roberts as Sam Smith, a young bellboy at the Mandarin Oriental hotel in London. When his boss Mr Morgan sends him on an errand, to take a watch belonging to one of the guests to a nearby jewellers to get it adjusted, he pops into the café where his best friend Elliot works on the way. There he is introduced to Mary (Imogen Poots) who spots the expensive watch he has decided to slip on and tells him he should stop by ‘Clara’, the exclusive jewellery boutique where she works, which just so happens to be the place his boss told him to visit.

So off he goes to the jewellers, to eye up the sparkling gems and the beautiful assistant Mary. Unfortunately, while he is there two armed robbers, who call each other Cameron (Kevin McKidd) and Clegg (Josef Altin) to hide their real names, burst in. The jewellery shop’s owner Charlie (Timothy Spall) sounds the alarm and the police are soon on their way, but after a shootout during which Clegg is shot in the foot, the criminals retreat back inside. Getting caught up in this jewellery heist-gone-wrong leaves Sam, Mary, and Charlie trapped inside, taken hostage by the psychotic Cameron and his partner-in-crime as they look for a way to escape.

Comes a Bright Day is writer and director Simon Aboud’s feature-length debut. He began his career as a writer for an advertising agency, and does well with this low budget film, which restricts most of its action to just one room. The confined environment is well-used and tensions run high for the criminals and hostages who are all trapped.

The failed robbery attempt at the jewellers isn’t the main focus of the film; it’s more of a backdrop. It provides an opportunity for the main characters to get to know each other, and there are lots of scenes with Sam, Mary, and Charlie talking about their lives and their dreams. Mary tells a touching story about the history of a ruby bracelet, which offers some welcome escapism during the hostage situation.

The film is partly a coming of age story about Sam gaining the confidence to achieve his dream of opening a restaurant with his friend, and partly a love story about a chance encounter with Mary. These tend to push the more thrilling criminal parts to the side, meaning the supporting cast don’t get enough time to shine. Kevin McKidd’s disturbed robber with a stutter is entertaining and intense but underused. The complicated character enjoys listening to Madame Butterfly while slowing sawing through a ceiling panel in the hopes of finding an escape route. But his motivations are never explained and we don’t learn much about him, which is a shame.

Comes a Bright Day tries to juggle lots of elements and genres, leaving some by the wayside slightly while others take centre stage. Ultimately though it is still a very watchable British film with a great cast, and it marks a promising debut from Simon Aboud.

[DVD screener provided by flickfeast. Review originally posted here]

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Review: Bunraku

Bunraku is set in a world that has been ravaged by fighting and war. After an animated opening sequence detailing how it has changed, including the banning of guns by the new civilization, we are shown a dystopian setting where the majority of the action takes place. A theatrical fight scene introduces a group of assassins led by the smooth-talking but deadly Killer #2 (Kevin McKidd). These men work for Nicola (Ron Perlman), a man known as the Woodcutter, who never shows his face in public. He is the most powerful man east of the Atlantic and uses his Red Suits and Killers to rule the town, while having its officials over for exclusive poker games.

Two mysterious men arrive in town on the same train, one a nameless drifter (Josh Hartnett) and the other a samurai called Yoshi (Japanese pop star and actor, Gackt). They both find their way to a bar called The Horseless Horseman, and after initially taking a dislike to each other, the Bartender (Woody Harrelson) persuades them to work together. The two men share a common goal, both are out for revenge and Nicola is their target, although they have different reasons for hunting him down. By featuring an honourable samurai warrior and a gunless cowboy as the main protagonists, the film effectively blends heroes from east and west cultures.

Bunraku was written and directed by the Israeli-born filmmaker Guy Moshe. It is the follow-up to his debut child trafficking film Holly. The title is based on a 400-year-old form of Japanese puppet theatre, operated by puppeteers who dress all in black so they blend into the background. The film does often feel as though it takes place on a stage, with theatre-inspired sets and scenery that looks like it’s made out of paper. 

Walls and backdrops pop up and fall, green screens provide CG backgrounds and the virtual origami-like world is reminiscent of a pop-up book. Coincidentally, Woody Harrelson’s Bartender makes pop-up books as a hobby and shows Yoshi the one he is working on, which bears some resemblance to Spider-Man’s origin story. This unique visual style extends to impressive special effects and animation sequences, used to switch from one scene to another and enhance certain moments in the film. The stylish aesthetic includes subtitles that look like they’ve been lifted from comic book panels.

Bunraku’s interesting and innovative blend of techniques and genres makes it hard to categorize. The film draws inspiration from many different areas and is a genre mash-up of spaghetti western, martial arts, revenge thriller, noir, fantasy, mafia, musical (without the songs), and adds elements from video game and comic cultures too. 

The film has a great cast and is narrated by Mike Patton (former singer of Faith No More). Kevin McKidd clearly relishes his flamboyant and devious role as the villain’s right-hand man and Woody Harrelson provides some good humorous moments. Demi Moore is underused as Alexandra, Nicola’s woman who has a mysterious past. One scene shows how she is linked to the Bartender, but this isn’t expanded upon and her character ultimately feels a bit unnecessary. This quirky and unique film is not for everyone as some may find the mix of genres confusing and disjointed. However, others will find this oddness refreshing, the visual style striking and the story a fun, modern tale of good vs. evil.

[DVD screener provided by Flickering Myth. Review originally posted here] 

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